Definition. On the fingerboard — bowing over the fingerboard, producing a soft, hollow, flutelike tone. Abbreviated *s.t.*
Sul tasto, abbreviated s.t., is Italian for ‘on the fingerboard’. As a string playing technique it instructs the performer to bow over the fingerboard rather than between the bridge and fingerboard, producing a soft, hollow, flute-like tone that minimizes the upper partials.
Sul tasto is the natural counterpart to sul ponticello. Where sul ponticello emphasizes upper partials and sounds glassy, sul tasto suppresses them and sounds soft and hollow. The character is dreamy, pastoral, sometimes mysterious — a veiled tone that recedes into the texture.
The related term flautando (‘flute-like’) is sometimes used as an alternative or complement to sul tasto. Both indicate a soft, hollow string tone that mimics the timbre of a flute.
Italian, ‘on the fingerboard’ — sul (‘on the’) + tasto (‘key, fingerboard’).
Move the bow contact point over the fingerboard. Use a light bow weight and slow speed to preserve the soft, hollow character. The tone should feel breathy, almost like a wind instrument.
On the fingerboard — bowing over the fingerboard, producing a soft, hollow, flutelike tone. Abbreviated s.t.
Italian, ‘on the fingerboard’ — sul (‘on the’) + tasto (‘key, fingerboard’).
Move the bow contact point over the fingerboard. Use a light bow weight and slow speed to preserve the soft, hollow character. The tone should feel breathy, almost like a wind instrument.
Sul Tasto is commonly abbreviated as s.t..
Related terms include: Sul Ponticello, Flautando.
Practice with Songtive's free tools
Hear this term applied — explore chord charts, fingerings and the music engine.
Piano chordsGuitar chordsVirtual piano