Definition. On the bridge — bowing very close to the bridge, producing a glassy, harmonic-rich tone. Abbreviated *s.p.*
Sul ponticello, abbreviated s.p., is Italian for ‘on the bridge’. As a string playing technique it instructs the performer to bow very close to the bridge of the instrument, producing a thin, glassy, harmonic-rich sound that emphasizes the upper partials of the tone.
The technique is commonly used for atmospheric and coloristic effects. Played correctly, sul ponticello produces an eerie, slightly metallic sound that has been called ‘ghost-like’. Composers reach for it when they want a sense of strangeness, distance, or otherworldliness.
The technique requires careful balance. Too far toward the bridge and the tone breaks; too far from it and the effect is lost. The bow must move slowly and lightly to maintain the glassy character. Sul ponticello is a hallmark of 20th-century string writing — Stravinsky, Bartók, Shostakovich, and Penderecki all use it extensively.
Italian, ‘on the bridge’ — sul (‘on the’) + ponticello (‘little bridge’, diminutive of ponte, ‘bridge’).
Move the bow contact point gradually toward the bridge until the tone takes on the glassy, harmonic-rich character. Too sudden a shift produces an unstable tone. Bow speed should be slow.
On the bridge — bowing very close to the bridge, producing a glassy, harmonic-rich tone. Abbreviated s.p.
Italian, ‘on the bridge’ — sul (‘on the’) + ponticello (‘little bridge’, diminutive of ponte, ‘bridge’).
Move the bow contact point gradually toward the bridge until the tone takes on the glassy, harmonic-rich character. Too sudden a shift produces an unstable tone. Bow speed should be slow.
Sul Ponticello is commonly abbreviated as s.p..
Related terms include: Sul Tasto, Flautando.
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